Teks
Sejarah
n the form of NAGAS and hermits,
n the form of NAGAS and hermits,
n the form of NAGAS and hermits,
0
/5000
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Bulgaria
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Dari:
-
Ke:
-
Keputusan (
Bahasa Melayu
) 1:
[Salinan]
Disalin!
n bentuk NAGAS dan hermits,
Sedang diterjemahkan, sila tunggu..
Keputusan (
Bahasa Melayu
) 2:
[Salinan]
Disalin!
n bentuk Nagas dan bertapa,
Sedang diterjemahkan, sila tunggu..
Keputusan (
Bahasa Melayu
) 3:
[Salinan]
Disalin!
Sedang diterjemahkan, sila tunggu..
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فارسی
Sokongan terjemahan alat:
Afrikaans
,
Albania
,
Amhara
,
Arab
,
Armenia
,
Azerbaijan
,
Bahasa Indonesia
,
Bahasa Melayu
,
Basque
,
Belanda
,
Belarus
,
Bengali
,
Bosnia
,
Bulgaria
,
Catalan
,
Cebu
,
Chichewa
,
Cina
,
Cina Tradisional
,
Corsica
,
Croatia
,
Czech
,
Denmark
,
Esperanto
,
Estonia
,
Finland
,
Frisia
,
Gaelic Scotland
,
Galicia
,
Georgia
,
Greek
,
Gujerat
,
Hausa
,
Hawaii
,
Hindi
,
Hmong
,
Hungary
,
Ibrani
,
Iceland
,
Igbo
,
Inggeris
,
Ireland
,
Itali
,
Jawa
,
Jepun
,
Jerman
,
Kannada
,
Kazakh
,
Kesan bahasa
,
Khmer
,
Kinyarwanda
,
Klingon
,
Korea
,
Kreol Haiti
,
Kurdistan
,
Kyrgyz
,
Lao
,
Latin
,
Latvia
,
Lithuania
,
Luxembourg
,
Macedonia
,
Malagasy
,
Malayalam
,
Malta
,
Maori
,
Marathi
,
Mongolia
,
Myanmar
,
Nepal
,
Norway
,
Odia (Oriya)
,
Parsi
,
Pashto
,
Perancis
,
Poland
,
Portugis
,
Punjabi
,
Romania
,
Rusia
,
Samoa
,
Sepanyol
,
Serbia
,
Sesotho
,
Shona
,
Sindhi
,
Sinhala
,
Slovak
,
Slovenia
,
Somali
,
Sunda
,
Swahili
,
Sweden
,
Tagalog
,
Tajik
,
Tamil
,
Tatar
,
Telugu
,
Thai
,
Turki
,
Turkmen
,
Ukraine
,
Urdu
,
Uyghur
,
Uzbek
,
Vietnam
,
Wales
,
Xhosa
,
Yiddish
,
Yoruba
,
Zulu
, terjemahan bahasa.
and the complications of rebuilding
was expressed rather by the rising of th
meant that the carvers had to work on sm
and predominant central
short sections of gallery
sanctuary from within an arrangement of
the angles and corners of the GOPURAS
In the large courtyard of the enclosure
and corner pavilions and some interiors.
there are 2 similar sanctuary towers or
Many of the bas reliefs are obscure,
It is the fundamental element
though they include events from the Indi
hat sheltered the idol within its square
that had long been popular among the Khm
in which the ensemble, laid out on a sin
that sheltered the idol within its squar
the Bayon was converted to Hindu worship
Clearly scenes grouped together
no longer followed the principle of mult
Orientated accordingly,
Their subjects are from Hindu mythology
are linked in some way
but where the notion of elevation
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